SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Saturday, November 7, 2009

Dottie Dillard


Dorothy Ann Dillard, *03-08-1923 Springfield, MO, +06-05-2015
by Michel Ruppli, William Cox, Praguefrank, Bill Daniels, Thieu Van De Vorst
SESSIONS

early 1949 Nashville, TN – Dottie Dillard and Owen Bradley Orchestra
001 SAVE YOUR CONFEDERATE MONEY BOYS Select 254 / BACM CC 001
002 PUT YOUR SHOES ON LUCY Select 254 / BACM CC 001
003 I DIDN’T KNOW THE GUN WAS LOADED 255 / BACM CC 001
004 LET THE GOOD THINGS HAPPEN 255 / BACM CC 001
1949 Nashville, TN – Dottie Dillard/*Bob Johnstone with The Dixie Doodlers
005 NASHVILLE’S SUCH A FRIENDLY PLACE 257/ BACM CC 001
000 NASHVILLE’S SUCH A FRIENDLY PLACE*  Select 257
BACM [UK] CC 01 COUNTRY CABARET: HANK FORT AND DOTTIE DILLARD (UK, 2021)
15 February 1950 New York City – Dottie Dillard
006 75830 LET THE GOOD THINGS HAPPEN Coral 9-60180
007 75831 SAVE YOUR CONFEDERATE MONEY 9-60180
1 July 1950 Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville,  TN - Jack Shook and Dottie Dillard (Owen Bradley Quintet)
008 76580/NA 2174 GOODNIGHT, IRENE  Coral 64054
009 76581/NA 2175 GIVE ME A LITTLE OLD FASHIONED LOVE  Coral 64054
31 July 1950 Castle Studio at The Tulane Hotel, 206 8th Ave. North, Nashville, TN – Jack Shook and Dottie Dillard (Owen Bradley Quintet) .Producer: Paul Cohen)
010 76702/OB-1  I'LL NEVER BE FREE Coral 9-60293
2 October 1950 Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville , TN – Jack Shook and Dottie Dillard (Owen Bradley Quintet)
011 76956/NA 2217  BLUE CHRISTMAS  Coral 64066
012 76957/NA 2218  THERE'S NO PLACE LIKE HOME AT CHRISTMAS Coral 64066
013 76958/NA 2219  THE LOVING YOU CONTINUALLY BLUES  Coral 64075
014 76959/NA 2220  I'VE CRIED A SALTY RIVER OVER YOU  Coral 64075
July 1953 unknown – Dan Belloc and His Orchestra (Dottie Dillard vcl])
015 M-8162/E3KB-5308 I’VE GOT A RIGHT TO CRY Dot 45-15115
26 October 1953 Castle Studio, The Tulane Hotel, 206 8th Ave. North, Nashville, TN – Dottie Dillard
016 M-8197/E3KB-5343 TREASURE ISLAND Dot 45-15138  
017 M-8198/E3KB-5344 I DON'T WANT TO SET THE WORLD ON FIRE  45-15138  
018 M-8199/E3KB-5345 OH JOHNNY, OH JOHNNY, OH 45-15203
019 M-8200/E3KB-5346 COW COW BOOGIE  45-15203




SINGLES
Select  (1949) with Owen Bradley Orchestra
254 Save Your Confederate Money Boys / Put Your Shoes On Lucy – 49
255 I Didn’t Know The Gun Was Loaded / Let The Good Things Happen – 03-49
257 Nashville’s Such A Friendly Place / Nashville’s Such A Friendly Place [Bob Johnston]  - 49
Coral (1950-51)
9-60180 Let The Good Things Happen / Save Your Confederate Money – 04-50
9-64054 Goodnight, Irene / Old Fashioned Love – 50 w. Jack Shook and Owen Bradley Quintet
9-60293 I’ll never Be Free / [Owen Bradley:] Is There Somebody Else – 50  w. Jack Shook and Owen Bradley Quintet
9-64066 Blue Christmas / There's No Place Like Home At Christmas – 11-50
9-64075 I’ve Cried A Salty River Over You / Lovin’ You Cintinually Blues – 03-51
Dot (1953)
45-15115  It’s Anybody‘S Heart / I’ve Got A Right To Cry (w. Dottie Dillard) – ca 10-53 Dan Belloc
45-15138  Treasure Island / I Don't Want To Set The World On Fire – 03-54 (rev. March 13)
45-15203  Oh Johnny, Oh Johnny, Oh / Cow Cow Boogie – 05-54


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Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.