Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

Continuation of the blog on address

Tuesday, July 20, 2010

Thomas Haglund

By Lillies Ohlsson

1990 K.M.H. Studios, Stockholm, Sweden – Thomas Haglund (Thomas Haglund [fiddle/mandolin] + Mats Rådberg* [vcl], Nils Tuxen [steel/dobro/gt], Per Kristofferson [banjo], Benny Pedersen [steel], Janne Lindgren [steel], Göran ”Floda” Lomaeus [el. bass/ac bass], Roger Palm [drums], Kjell Öhman [piano/synthesizer/accordion], Kajtek Wojciechowski [clarinet/accordion], Producer Thomas Haglund)
0001 LEGEND POLKA Eagle 025
0002 CAJUN ROCK* Eagle 025
0004 CAJUN MILL Eagle 025
0005 HEY GOOD LOOKIN´ Eagle 025
0006 I LOVE YOU BECAUSE Eagle 025
0007 STRÅKGLÄDJE Eagle 025
0008 GNIDDE Eagle 025
0009 PEACH PICKIN´ TIME Eagle 025
0010 I STRÅKTAGEN Eagle 025
0011 SINGIN´ THE BLUES Eagle 025

Eagle[SWE] ECD 025 Stråkglädje:
Legend Polka; Cajun Rock; Utsikt Över Tunaslätten; Cajun Mill; Hey Good Lookin´; I Love You Because; Stråkglädje; Gnidde; Peach Pickin´ Time; I Stråktagen; Singin´ The Blues; Orange Blossom Special -90 (also as vinyl ELP-025 and cassette EMC-025)

Roy Gonzales

By Henk Scholts

ca January 1929 Chicago, IL – John H. Bertrand [vcl-3/accordion-2], Roy Gonzales [vcl-4/gt] (? [fiddle])
000 21243-2 LA DELAIISER (THE ABANDONMENT) -1,2,3 12776 /Yazoo 2042
000 21244 untraced
001 21245-1 ATTENDRE POUR UN TRAIN -2,4 12776/Yazoo 2042
000 21246-2 JE VEUX M’AHETE UN FUSE QUI BRILLE -4 12762
000 21247 untraced
000 21248-2 LA FILLE DU JOLIER (THE JAILOR’S DAUGHTER) -1,2,3 12763/Yazoo 2042
000 21249 untraced
000 21251-2 LE SOLDAT FATIGUE (THE TIRED SOLDIER) -1,2,3 12763/Yazoo 2042
000 21252-2 LA POND DE NANTE (THE NORTH BRIDGE) -1,2,3 12776/Yazoo 2042
13 July 1929 Gennett Recording Studio, Starr Piano Company Building, Whitewater Gorge Park, Richmond, In – Roy Gonzales [gt/vcl/yodel-1]
002 G-15349-A [15348 by mistake*] ATTENDRE [OUR UN TRAIN -1 Paramount 12807*
003 G-15350-A [15349 by mistake*] UN FUSSI QUI BRILLE -1 Paramount 12807*
004 G-15351-A DOR MON ENFANT DOR rejected
005 G-15352-A MA MAISON AUPRES DE L’EAU rejected
006 G-15353-A [15352 by mistake*] ANUIANT ET BLEUE -1 Paramount 12832
007 G-15354-A [15353 by mistake*] CHOCTAW BEER BLUES -1 Paramount 12832

Yazoo 2042 Early American Cajun music: Classic Recordings From The 1920s: Le bebe et le gambleur (The baby and the gambler) - Delma Lachney; Sur le borde de l'eau (On the riverside) - Blind Uncle Gaspard; Cousinne Lilly - John Bertrand; Baoille - Delma Lachney; Natchitoches (French town) - Blind Uncle Gaspard; Miserable - John Bertrand; La danseuse (The dancer) - Delma Lachney; Assi dans la fenetre de ma chambre (Sitting in the window of my room) - Blind Uncle Gaspard; The Swallows - John Bertrand; Je m'en vas dans le chemin (Going down the road) - Delma Lachney; The rabbit stole the pumpkin - John Bertrand; Avoyelles (Parish name) - Delma Lachney; Upstairs - John Bertrand; Cher ami ma vie est ruini (Dear friend my life is ruined) - Delma Lachney; Valse de Gueydan - John Bertrand; La Louisiana (Louisiana) - Delma Lachney; La fille du jolier (The jailor's daughter) - John Bertrand; Riviere Rouge (Red River ) - Delma Lachney; Le soldat fatigue (The tired soldier) - John Bertrand ; Mercredi soir passé (Last wednesday night) - Blind Uncle Gaspard; Le Pond de Nante (The North Bridge) - John Bertrand; L'aurevoir d'une mere (Mother's farewell)- Delma Lachney; La Delaisser - (The Abandonment) - John Bertrand; Je me trouve une jolie fille (I find a pretty girl) - Delma Lachney

Paramount (1929)
12776 La delaisser (Ray Gonzales) / La pond de Nante (John Bertrand)
12807 Attendre pour un train / Un fussi qui brille
12832 Anuiant et bleue / Choctaw beer blues


Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.